Confucius (Chinese: 孔夫子; pinyin: Kǒng Fūzǐ; Wade-Giles: K'ung-fu-tzu), lit. "Master Kong," September 28, 551 BC - 479 BC) was a Chinese thinker and social philosopher, whose teachings and philosophy have deeply influenced Chinese, Korean, Japanese, and Vietnamese thought and life.
His philosophy emphasized personal and governmental morality, correctness of social relationships, justice and sincerity. These values gained prominence in China over other doctrines, such as Legalism (法家) or Taoism (道家) during the Han Dynasty (206 BC–220 AD). Confucius' thoughts have been developed into a system of philosophy known as Confucianism (儒家). It was introduced to Europe by the Jesuit Matteo Ricci, who was the first to Latinise the name as "Confucius."
His teachings may be found in the Analects of Confucius (論語), a collection of "brief aphoristic fragments", which was compiled many years after his death. Modern historians do not believe that any specific documents can be said to have been written by Confucius, but for nearly 2,000 years he was thought to be the editor or author of all the Five Classics such as the Classic of Rites (editor), and the Spring and Autumn Annals (春秋) (author).
One of the deepest teachings of Confucius may have been the superiority of personal exemplification over explicit rules of behavior. Because his moral teachings emphasise self-cultivation, emulation of moral exemplars, and the attainment of skilled judgment rather than knowledge of rules, Confucius's ethics may be considered a type of virtue ethics. His teachings rarely rely on reasoned argument, and ethical ideals and methods are conveyed more indirectly, through allusions, innuendo, and even tautology. This is why his teachings need to be examined and put into proper context in order to be understood. A good example is found in this famous anecdote:
廄焚。子退朝，曰：“傷人乎？”不問馬。
When the stables were burnt down, on returning from court, Confucius said, "Was anyone hurt?" He did not ask about the horses.
Analects X.11, tr. A. Waley
Italian Artist Giuseppe Abbati
Giuseppe Abbati (January 13, 1836 – February 21, 1868) was an Italian artist who belonged to the group known as the Macchiaioli.
Abbati was born in Naples and received early training in painting from his brother Vincenzo. He participated in Garibaldi's 1860 campaign, suffering the loss of his right eye at the Battle of Capua. Afterwards he moved to Florence where, at the Caffè Michelangiolo, he met Giovanni Fattori, Silvestro Lega, and the rest of the artists who would soon be dubbed the Macchiaioli.
While his early paintings were interiors, he quickly became attracted to the practice of painting landscapes en plein air. His activity as a painter was interrupted during 1866 when he enlisted again in the army for the Third Independence War, during which he was captured by the Austrians and held in Croatia.
His paintings are characterized by a bold treatment of light effects. He often painted a luminous landscape scene as seen through the doorway of a darkened interior, as in the View from the Wine Cellar of Diego Martelli (1866). Some of his late landscapes are in the greatly elongated horizontal format often favored by the Macchiaioli.
Abbati was born in Naples and received early training in painting from his brother Vincenzo. He participated in Garibaldi's 1860 campaign, suffering the loss of his right eye at the Battle of Capua. Afterwards he moved to Florence where, at the Caffè Michelangiolo, he met Giovanni Fattori, Silvestro Lega, and the rest of the artists who would soon be dubbed the Macchiaioli.
While his early paintings were interiors, he quickly became attracted to the practice of painting landscapes en plein air. His activity as a painter was interrupted during 1866 when he enlisted again in the army for the Third Independence War, during which he was captured by the Austrians and held in Croatia.
His paintings are characterized by a bold treatment of light effects. He often painted a luminous landscape scene as seen through the doorway of a darkened interior, as in the View from the Wine Cellar of Diego Martelli (1866). Some of his late landscapes are in the greatly elongated horizontal format often favored by the Macchiaioli.
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